![](https://nor.supabase.co/storage/v1/render/image/public/norcollection-files/archive/83799826-fa57-f6b4-e3a1-a8f2e11f8b8e/1JxMMpJackPine_image5.jpg?width=3840&resize=contain&quality=75)
![](https://nor.supabase.co/storage/v1/render/image/public/norcollection-files/archive/83799826-fa57-f6b4-e3a1-a8f2e11f8b8e/0YhyMIJackPine_image2.jpg?width=3840&resize=contain&quality=75)
![](https://nor.supabase.co/storage/v1/render/image/public/norcollection-files/archive/83799826-fa57-f6b4-e3a1-a8f2e11f8b8e/Bdn4NjJackPine_image4.jpg?width=3840&resize=contain&quality=75)
A detail of Tom Thompson’s The Jack Pine was digitized and rendered in 1440 pixels in a range of 40 colours. Each pixel was then translated into a 3 x 3 x 6” square tubular aluminum extrusion. Each extrusion was painted and clear coated with an industrial coating system and stacked within a frame. The result is a free-standing, double-sided image structure. -Panya Clark Espinal