g4H0GHNFB-catalogue-canada-design.jpg

National Film Board of Canada

![NFB-catalogue-canada-design.jpg](http://canadiandesignresource.ca/wp-content/uploads/2007/10/NFB-catalogue-canada-design.jpg)
Sent via: Josh Kaplan / [ISO50](http://blog.iso50.com/?p=133) / Jason Bustin
I would love to know who designed this excellent NFB Catalogue cover. [As Scott Hansen has pointed out](http://blog.iso50.com/?p=133), the tessellation has a movement that alludes nicely to the medium of film and given the context (this particular catalogue is for U.S audiences) the content is too perfect: the Canadian maple leaf (actually looks a lot like the [Centennial Logo](http://canadiandesignresource.ca/?p=180)) becomes an American star, becomes a heart‚Ä¶ awww, so sweet!


mseCU4NFB-catalogue-canada-design.jpg

NFB Film Catalogue 76/77

<p>
Sent via: Josh Kaplan / <style data-emotion="css 11ei5o9">.css-11ei5o9{-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-11ei5o9:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-11ei5o9:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><style data-emotion="css gqgji0">.css-gqgji0{margin:0;font:inherit;color:inherit;-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-gqgji0:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-gqgji0:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><a class="MuiTypography-root MuiTypography-inherit MuiLink-root MuiLink-underlineHover css-gqgji0" rel="noopener" href="http://blog.iso50.com/?p=133" target="_blank">ISO50</a> / Jason Bustin
I would love to know who designed this excellent NFB Catalogue cover. <style data-emotion="css 11ei5o9">.css-11ei5o9{-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-11ei5o9:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-11ei5o9:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><style data-emotion="css gqgji0">.css-gqgji0{margin:0;font:inherit;color:inherit;-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-gqgji0:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-gqgji0:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><a class="MuiTypography-root MuiTypography-inherit MuiLink-root MuiLink-underlineHover css-gqgji0" rel="noopener" href="http://blog.iso50.com/?p=133" target="_blank">As Scott Hansen has pointed out</a>, the tessellation has a movement that alludes nicely to the medium of film and given the context (this particular catalogue is for U.S audiences) the content is too perfect: the Canadian maple leaf (actually looks a lot like the <style data-emotion="css 11ei5o9">.css-11ei5o9{-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-11ei5o9:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-11ei5o9:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><style data-emotion="css gqgji0">.css-gqgji0{margin:0;font:inherit;color:inherit;-webkit-text-decoration:none;text-decoration:none;color:inherit;background:linear-gradient(90deg, #1976d2, #1976d2),linear-gradient(90deg, rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54), rgba(0, 0, 0, 0.54));-webkit-background-position:100% 100%,0 100%;background-position:100% 100%,0 100%;background-repeat:no-repeat;-webkit-background-size:100% 2px,0 2px;background-size:100% 2px,0 2px;padding-bottom:2px;padding-right:0px;margin-right:8px;-webkit-transition:background-size .4s;transition:background-size .4s;-webkit-text-decoration:none;text-decoration:none;}.css-gqgji0:hover{-webkit-text-decoration:underline;text-decoration:underline;}.css-gqgji0:hover{-webkit-background-size:0 2px,100% 2px!important;background-size:0 2px,100% 2px!important;-webkit-text-decoration:none;text-decoration:none;display:block-inline;color:rgba(0, 0, 0, 0.6);}</style><a class="MuiTypography-root MuiTypography-inherit MuiLink-root MuiLink-underlineHover css-gqgji0" rel="noopener" href="http://canadiandesignresource.ca/?p=180" target="_blank">Centennial Logo</a>) becomes an American star, becomes a heart‚Ä¶ awww, so sweet!</p>

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